PRESS II PRESS
WORDS AND ART FOR THE FUTURE
no social media. word of mouth only. like fight club? yeah, but for art.
vestige has dropped
Winner of the 2025 Beautiful Pause Prize.
Poems by Olivia Pierce Graham.
From “Mayflower”, by Kaylie Saidin, October 2025, Press Pause V11
The Beautiful Pause Prize is now open for nonfiction manuscripts and pitches, through May 1st 2026!
featured from the family room
The Cauldron
by Sohana Manzoor
In the days after she left, the sea appeared colorless and cold to me. I had little interest in diving the shipwrecks. Mila sulked around, but I was too miserable to notice her.
by Vincent Santino Smarra
My mouth is around the apple, sickly sweet juice from the already exposed bit mixing with spit that keeps coming. I chew.
the reading corner
Read more book reviews, book recommendations, etc in The Reading Corner of The Family Room
press play
by Travis Flatt
“My, bad,” you say, and lean down to fish out the briefcase. Your actual line is: “We’re happy.”
by Cooper Green
It felt like we had a map, a route we discussed over and over, a clear view of how to extricate ourselves. And yet, we somehow kept ending up at the same dead end, wrapped around each other and for those brief, sweet moments, so immeasurably happy.
by Karen Greenbaum-Maya
Conventional sparks flying but nothing catches fire. Perfunctory, they slap the audience around.
by Tanya Visceglia
For a conflict-averse society, Taiwan certainly loves to roll around in high drama, both in art and life. Even a restaurant meal with friends is ripe with dramatic potential. We fight for the privilege of treating our companions, during which the bill is yanked back and forth with cries of protest: “No, you paid last time.” “You can pay next time!” The winner of the bill-grab then races to the cash register, slapping money onto the counter. The winner of the bill-grab then races to the cash register, slapping money onto the counter… This is a friendly game everyone understands.
Read more from Press Play in The Family Room
the great pause
by Francesca Spiegel
That’s all these windows will ever know, flat as a tradwife Instagram account that only knows spatulas, cookie dough and frilly apron; flat as the shoe of a waitress.
by Bonnie Day
If I felt like going at full speed, I would pedal as fast as I could until my breath came in fits and a stitch crackled in my side. Or I could pedal so slowly that a little old lady could pass me by. Or I could stop, once, twice, even three times. Sip water and stare into the field. Alone was good. It was what I wanted. And so, we both biked alone.
by Linda Griffin
I lived with strangers. Some of them were related to me. Some were not. I don’t know if any of them loved me. They never said.
by Victoria Krammen Butler
She could still sense whispers of the weeks, months and years she’d experienced in stories before, but she never longed for them. That was another rule: she should remain in the present. The fragments were enough to know she existed, and that in itself was all she needed. She liked it that way. Though, again, she wasn’t sure if there even were other ways.
by HB Collins
Let tranquil weeping fall on the ears of your ghosts
and the palms of your demons, who wait just as eagerly
as you to your phone, where you pray to a god
you don’t believe in, for just one text.
by Stetson Ray
It’s like being married to a doctor I suppose. People need him. He has an important job to do. I’m just some woman. Our son is just some baby.
Read more from The Great Pause in The Family Room
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